Showing posts with label Black Hippy Crew. Show all posts
Showing posts with label Black Hippy Crew. Show all posts

Thursday, September 25, 2014

"i"- Kendrick Lamar

























T.I. had a 2006 album where he proclaimed himself King. In the same year Pusha T's regal status was signified by a cockeyed crown he wore on the cover of Hell Hath No Fury. Hip hop's seen "the best rapper alive," "superheroes," and a "rap god." But every last one of those artists feels distanced from their audience. In being royalty you naturally slip from the everyday tedium of normalcy. The longer you sit on the mountaintop, the less time you have to commune with the villagers down below. 


One glaring exception to the rule and perhaps the only legitimate claimant to the title of king is "King" Kendrick Lamar. Between good kid, m.A.A.d. city's runaway success in 2012, the Twitter-breaking "Control" in August 2013, a particularly firebreathing BET Cypher session last October and a continuous stream of breathless guest verses in 2014, Lamar's firmly established his kingship. But he's also retained his "humanity" in the process. He headlines festivals while still rocking those Nike Cortez shows and white tees. Lamar still lays his head in Los Angeles and shows up to local radio stations to let the hometown hear a new single first, a single where he cops to lacking confidence. 

That new single, "i," has already been discussed to death for being "too pop," "too breezy," a sure-fire bet to soundtrack a Disney movie in the next five years. With its shuffling guitar, clopping pots and pans percussion, communal clapping and message of having to love yourself before you can love anyone else, it is poppy and breezy. Those liquid solos you hear in the chorus, pulled from the Isley Brothers' "That Lady," are the sort of thing that would've played in any number of 70s cop flicks. But Kendrick Lamar raps his ass off on this one. With absolute ease he stacks up images of "A war outside and a bomb in the street, and a gun in the hood and a mob of police, And a rock on the corner and a line full of fiends." If that weren't enough to allay fears, his message of loving yourself first isn't new terrain. Since day one he's shown us how far someone can go if they believe in themselves; continually exhorting himself and his audience to go farther. And of course this is just the first taste of what's to come from the third LP. There's a strong chance this is the "radio friendly" track Lamar pushes to make label execs happy before dropping another classic of chaos and confusion in the 21st Century. Whatever the case may be, Lamar can rest easy. The crown's not going anywhere for now.



There's no set release date for Lamar's third LP, but you can watch him discuss the process of recording the new album on Power 106.

Thursday, September 26, 2013

"Banger (MOSHPIT)"- Schoolboy Q

























Habits and Contradictions provided a near-perfect summation of Black Hippy Crew member Schoolboy Q's inherent personae on that LP. Q split the difference between the lurid and the lovely, between harmless stunting and reckless gangsta posturing. "Hands on the Wheel" he was joyously "too high to stand," by the lurching zombie of "Oxy Music" he became a tour-guide through a blood-stained narcotic scene where death lingered in the air. "Blessed" the self-confessed sinner dipped a toe into holy water, while the former "Sacrilegious" had him realizing he was doomed to "marinate in Satan's sweat". Hard-knocking new track "Banger (MOSHPIT)" fits into the unsanctified side of the equation; Q playing host to a party where bodies are left and no one says a word. Guitars quietly quiver and the bass rattles as Schoolboy Q rumbles with beasts and loads up the ammo. Even in these grey situations, Q notices the minor details, the "yellow tape by them candles" and how his shoelaces happen to match "the flannel". In Schoolboy's stark world it's often impossible to breathe, but there's always the occasional gulp of fresh air to be found. 

Schoolboy's third studio album and first major label release Oxymoron is set to drop sometime this year via Interscope/TDE, but there's still no official date. 

 

Monday, October 22, 2012

"Heart, Pt. 3" ft. Ab-Soul & Jay-Rock


















"Truthfully I just started rappin' to get away," Compton MC Kendrick Lamar tellingly raps midway through his first verse on the muted-soul of "Heart Pt. 3." It's a stark moment of honesty from a rapper well known for autobiographical insight. But to borrow a De La Soul track, the "stakes is high," now. Between a BET Award for "Lyricist of the Year," a feature as a XXL 2011 Freshman, and a bevy of rave reviews for his Section. 80 LP Lamar has the weight of West-Coast hip-hop on his shoulders. Tomorrow his good kid, m.A.A.d. will drop in stores, and his entire crew is betting the house on its success. 

The pressure is palpable in his rhymes, as he name-checks West-Coast legends: 2Pac, Snoop Dogg, & Dr. Dre. and admits his, "biggest fear is not feeling accomplished." At times his voice approaches a rasp, as he struggles to let every last gasp of his hip-hop soul out. This all or nothing desperation is buoyed by the Black Hippy Crew, with major-label outcast Jay Rock recounting his struggles and "secret weapon" Ab-Soul acknowledging "we never asked for no hand out." Near the track's end, Kendrick confesses "I put my whole life in these 12 songs, my fight in these twelve songs." It's a fight only Kendrick can win, and come Oct. 23 we'll see the results.

"Heart, Pt. 3" ft. Ab-Soul & Jay-Rock
      

Tuesday, October 2, 2012

"Compton" ft. Dr. Dre





















If you would've told me there'd be a track in 2012 featuring Just Blaze behind the boards and Dr. Dre rattling off vintage Chronic lines, I'd have laughed and told you that getting Dre to do anything rap-related in this day & age is something of a miracle. But on this boisterous Blaze-beat that's exactly what we get. Kendrick is his usual slippery-self, sliding in-and-out of a deadly double-time flow with ease. He name checks Compton locales like "Rosecrans Avenue," and crowns himself king. Meanwhile, Dre is all bluster, bellowing out threats and once-again namechecking his Dre Beats. By the time the vocoder drops by and brings back the ghost of "California Love," it's clear that when it comes to the West-Coast, "King Kendrick" isn't too much of a stretch.

"Compton" is the third single to drop from the forthcoming good kid, m.A.A.d. city album which is set to drop October 23. There's the compelling tracklist below which might be the first on record to feature both Dr. Dre & Lady Gaga. 

1. "Sherane"
2. "B***h Don't Kill My Vibe" ft. Lady Gaga
3. "Backseat Freestyle"
4. "The Art of Peer Pressure"
5. "Money Trees" ft. Jay Rock
6. "Poetic Justice" ft. Drake
7. "good kide"
8. "m.A.A.d city" ft. MC Eiht
9. "Swimming Pools (Drank)" (Extended Version)
10. "Sing About Me, I'm Dying of Thirst"
11. "Real" ft. Anna Wise
12. "Compton" ft. Dr. Dre 

Extended Version
13. "The Recipe" ft. Dr. Dre
14. "Black Boy Fly"
15. "Now or Never" ft. Mary J. Blige
16. "Collect Calls"
17. "Swimming Pools (Drank)" 

"Compton" ft. Dr. Dre